Laia is a slave. Elias is a soldier. Neither is free. After her brother is captured by the Masks, Laia teams up with the rebels to get him back. In order to rescue her brother, she risks her life to spy for the rebels within the Empire's greatest military academy. It's at that academy that she meets Elias, a newly graduated Mask that wants nothing more than freedom. He and Laia will soon realize that their destinies are intertwined and that their choices will change the fate of the Empire itself. Written By: Internetmoviedatabase5

An Island in the Stream is a documentary about Tebajima, a remote island in the southwest Japan, with a population of about 40. Until the 1980s, coastal fishing was prosperous in this island, but now there is no industry on the island due to the declining population causing by aging and declining fish catches, and because of the changes, most of the residents are over 70 years old retired fishermen and their families. Through the observation and conversation with the residents, we see the past, present and future of the island. 　　There are no supermarkets, convenience stores, restaurants, or medical facilities on the island, beside two vending machines. The residents buy food and other daily necessities in towns on the mainland of Tokushima Prefecture that can be reached by ferry. 　　The lens focuses on three characters. One is 70 years old man who was born and raised in the island and work as the president of fisherman’s union, and another is a young fisherman in his 20s.

The film begins with the story of an ancient green apple. From the origins of the universe to the tales of our lives, stories are layered within stories.

Convention and sexuality are explored through slugs, rituals, and the eating of an orange.

The creation story of Adam and Eve living in the Garden of Eden.

Two lovers, an archivist, a shopkeeper and a singer haunt the city, wearing self-fashioned evocative costumes in this third collaboration between Asmaa Jama and Gouled Ahmed, who impersonate some of the characters themselves. Manipulating their own family portraits with coloured pencils, the artists critique colonial practices and traumatic histories through processes of reenactment and reclamation. “We are unseen beings, we are bright afterimages” cries the poetry of Jama, echoing the erasure and resurrection of those on the periphery. Enlightened by some of the great Malian studio photographers, such as Seydou Keïta and Malick Sidibé, we are presented with a spectacular mise-en-scène that conjures a generative ritual of awakening. (Ane Lopez) 　　源自：https://bfmaf.org/programme/slow-shift-except-this-time-nothing-returns-from-the-ashes-the-watchman/

他们拥有梦想。总有一天，飞向广阔天空的梦想。知晓被玻璃遮盖的这片天空有多么遥远。遥远的未来。人类在荒废的大地上建设了移动要塞都市“种植园”，…

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